Tess Mercer (
have_no_mercy) wrote2016-11-25 02:32 pm
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Watchtower
When they leave Milliways, Tess and Jim enter what looks very much like an elevator. That's because it is. Steel all around with a camera up in one corner.
Smile, Jim, you're on TessTV!
She presses the button for the top floor and then waits.
Smile, Jim, you're on TessTV!
She presses the button for the top floor and then waits.
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'That's more like it.'
Hello lovely new system, how are you? Very nice to meet you...Jim types without pause for a straight five minutes, taking over most of the screens in the place one by one, rifling through the system like a thousand starving children let loose in a sweetshop after being told they're allowed to ransack the place.
She may come to regret it later, but for now, he's just happy to see what she's got. And he knows he's about to sink without trace for a while, so he glances up at her with eyes already far away, and says, 'you might as well just leave me for a bit.'
A few hours, probably. At least. The longer she leaves him, the more likely it is the system will be unrecognisable when she gets back, but he's not actively looking to cause damage!
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Then she will leave him alone, pulling out a laptop from a drawer in her desk and starting on some work of her own.
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Because he needs information to be able to work, obviously. Alarms be damned.
And then he shuts up, and doesn't move, and doesn't stop typing, reading, scrolling, pushing pages around different screens. Occasionally there's a laugh, or he mutters under his breath, or says, 'no no no,' or more often, 'stupid, stupid' - and sometimes there's even a slight exclamation of surprise, or agreement.
But it's all minimal. Mostly he just sits and works, with absolute focus and no indication that the world outside of what he's making in his head even exists.
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She'll deal with it if that happens, like she always deals with things. She's wary of letting Jim run along like this, but they want the moonbase and by God she's going to give them one. A last present before she leaves them for good.
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He's forced to cease by something completely annoying. He's lost track of the afternoon, and he hasn't stopped typing for a looooong time now, as he streams thoughts out without pause. But it's been a while since he sat at a computer for this long, and he's pulled up short by a sudden cramp in his wrist. It's sharp enough to derail his train of thought, and make him hiss over his teeth, pulling his hand back to massage irritably at tingling fingers.
'Fuck.'
Annoying. The moment he stops, he becomes aware of just how uncomfortable everything else is.
'Have you got any food?'
Is she still there? He assumes so.
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"Not so much, but I can go get you something."
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He stands up and rolls his shoulders out, wincing at the ache and then stumbling off in the direction of the restroom.
'And a drink.'
Lots of drinks, perhaps.
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She calls after him. And then suspends his access so he can't fool around with her gone.
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He comes back out a minute later, ready to go back to work...and can't.
For God's sake.
OH WELL. He picks up the bow, because shooting a few arrows will help him stretch back out again. What he said to Oliver was mostly a lie; he has shot before, but only a time or two. It's not that hard to pick up though, is it?
He's aiming for the door so, y'know Tess, careful when you come back in.
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So long as she doesn't come back in to an arrow next to her head - or in it - the annoyance will be minimal.
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He hasn't found the wet bar because he became engrossed in trying to shoot better, and he doesn't put an arrow in her head. Or next to it. It goes next to her shoulder instead.
'You've been ages.'
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But she forgets he's basically a child at heart and it feels like it's been longer.
"Here, food. And the wet bar's over behind the sofa."
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He could have looked around and seen that, fine. He drops his bow on the floor and goes to get...water, actually, and then vodka for after.
'Thank you. Do you want one?'
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"You were in another world. I could have done that strip tease with a full band accompaniment and you wouldn't have noticed."
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Work is more interesting than people. Most people. He does raise an eyebrow at her as he pours vodka, though.
'Seeing as I'm on a break, you could do a striptease now if you like.'
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"I'm on a break, too, and I have a very strict rule: No stripteases while on break."
She slides a burger and fries toward him.
"Eat. It's been hours."
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'Fiiiiiine.'
He is so hard-done-by. There's a brief pout - and a pause while he locates the inevitable tomato, and disposes of it - but he is hungry, so he gets over that soon enough and has a bite of burger.
'So, when do you want this done by?'
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"There's no real deadline. We know this is first time project and that things may go wrong along the way. Ultimately, we're looking to have it be functional for the start of 2018."
That gives you a year, Jim. Think you can do it?
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'The start of 2018?'
'Well, I'm taking the rest of the night off, then.'
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If he can get it done earlier, good, but since they're doing everything literally below board and themselves, they've given the project a modest timeline.
"You never know, World War III might break out and we'll have to shelf the whole thing."
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'If I design you a beautiful moonbase and you don't even use it, so help me-'
Grr. Annoying. He bites into his burger, annoyed.
'You see, the beautiful thing about me doing this for you - beautiful for me, that is - is that I don't have to do anything boring. If I were at home and someone had paid that kind of service, I'd have to procure all the manpower, and the materials, and buy and organise the transport blah blah-'
The dull bits are not his favourite.
'But here, all I have to do is tell you what you need and how to build it, give you the plans and all the pertinent information, et cetera. And of course I'll be around the bar for you to consult with if you need to. But all the time-consuming stuff, that's all you. I don't need until 2018 to do this, Tess. I might not even need until the end of the month.'
When Jim's on a big job, he'll just focus entirely on that until it's done. That's a lot of hours, with a brain that works really fast, and is already familiar with the theory of all of this. Working out a design will not take a year.
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Tess finally digs into her burger as he speaks, listening and nodding as he goes along.
"I do want it functional by then, built, tested and in use. If we can start construction in the new year, that would be wonderful."
Another bite before she asks him,
"Sorry it won't keep you occupied longer?"
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He half-shrugs, and has one more bite of his burger before pushing two-thirds of it away.
'I don't want to get hung up in the minutiae of any one thing for too long. It'd become tedious. I have no problem with long-running plans, but they're usually things I touch in and out of. Once I've handed over the design, I expect you'll come back to me if you have questions, or if testing throws up something unexpected, or whatever. That's fine. But the bulk of it will be set, unless some massively unforeseen thing happens and means I have to change everything.'
And the chances of that are...low. Jim anticipates just about everything.
'Now, if you were asking me to put a base on Mars or, better yet, some entirely uncharted planet - that I wouldn't mind dedicating a year to.'
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Tess doesn't anticipate any major setbacks either. Maybe a few work stoppages to take on some hero business, but nothing that would put the project in jeopardy.
"Unfortunately, we're limited to the moon. Manhunter can go as far as Mars, but there's really nothing left. I'd have loved to put one there, but again, travel is an issue and it's kind of his dead homeworld."
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Interesting, if so.
'Is it known as the red planet here? Can I see a picture of it?'
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